Brochevski (Amai Rawls Jr., b. 2000, United States) transforms legal tender into intricate, emotionally charged collages that reframe currency as both material and metaphor. Constructed entirely from hand-cut U.S. dollars, his works interrogate the psychology of wealth, aspiration, and inherited trauma — proposing a visual language where value is recalibrated through labor, memory, and loss.

Each piece begins with a single composition sketch and is executed with surgical precision, using X-Acto blades to slice currency into irretrievable fragments. American paper money’s limited chromatic palette demands meticulous layering to achieve balance, turning each cut into a high-stakes gesture where failure carries literal financial consequence.

Positioned at the intersection of conceptual rigor and technical virtuosity, Brochevski’s practice is both performance and artifact — an economic archaeology that excavates American mythology through the dissection of its most sacred symbols.